Rock 'n' Bowl - Tips for local bands on How to Book at Show at Coaster's

How to book a show at Coaster's

Coaster's 115 Cliff Drive Santa Cruz, CA

21 + after 9 PM

Booking contact: Rogelio Guzman

Preferred method of contact: Receiving an email at rogelio@scseaside.com with your MySpace page included. You can also call (831) 426-3324 or drop off a CD and press kit in person.

Timing: Coaster's is booking about 2 months in advance.

Days: Live music night is Friday but some Saturday or weekday shows for the right lineup.

Genres: Rock n’ roll, punk, metal, reggae. Coaster's is open to all genres of music, but happens to be one of the few places in Santa Cruz where louder bands are welcome.

Capacity: 145

Payment: Bands start off with a small guarantee. Once they are established at the venue, they get bumped up to a guarantee plus % deal.

Equipment: Coaster's PA System is made for karaoke, not bands, so plan on brining your own PA and pretty much all other necessary equipment. The venue has a dance floor and might even let you use the fog machine and lasers if you ask nicely.

Booking Guidelines:

Coaster's prefers local bands; you won’t see many touring acts competing for slots.

Bands usually start out on Friday nights. Coaster's will book about one Saturday a month for the right band(s). Shows start at 9:00 PM and usually run until around 11:45 PM. Never past 1 AM.

Success Stories:

Stand out local acts that have proven themselves at Coaster's include The Devil Himself, Who's Holdin', 3UpFront and Honest Mistake.

Full text to my Coaster's blog lives on The Good Times Making Noise blog.

Tips for Local Bands on How to Book The Crows Nest

How to book a show at The Crows Nest

The Crows Nest 2218 East Cliff Drive Santa Cruz, CA

All Ages &  21 + depending on show

Booking contact: Blaine Neagley 

Preferred method of contact: Receiving a bio/photo/band history and CD. You can drop the package off at the hostess station anytime, or mail to Blaine at the Crows Nest address.

Timing: The Crows Nest is booking about 3 months in advance.

Days: Live music booked Wednesday – Saturday (Sunday is reserved for Comedy)

Genres: rock n’ roll, oldies, soul, reggae. Weekday nights the venue is open to edgier bands that draw a younger crowd.

Capacity: 180 + two outdoor decks (so 200+ total)

Payment: Weeknights bands get 100% of the door ($5 cover) up to $300. Weekends and beach party bands received a negotiated guarantee.

Equipment: The Crows Nest has a complete PA system, mics and stands. They do not provide a sound engineer and bands should bring their own backline.

Booking Guidelines:

The Crows Nests likes to stick with local bands; you won’t see many touring acts competing for slots.

New bands usually start out on Thursday nights to test their draw. If the band does well on a few weeknights, they will be moved up to a weekend slot. If the band continues to impress, they will be considered for a summer beach party night.

Sunday is designated for comedy. If you are not a comedy act, don’t try to book on a Sunday.

Full text to my Crow’s Nest blog lives on The Good Times Making Noise blog.

Lounging Around - How to book a show at the Cypress Lounge

 

The Cypress Lounge 120 Union Street Santa Cruz, CA

All Ages or  21 + depending on show

Booking contact: Ashton Hodge 

Preferred method of contact: Email cypressloungesc@gmail.com or drop off a press kit and CD in person daily after 4 PM.

Timing: The Cypress Lounge is booking about 3 months in advance for Friday/Saturday night slots. Less advance notice is needed for Tuesday/Wednesday night slots.

Days: Live music booked almost every day of the week.

Genres: Reggae, funk, blues, light rock, lounge, DJ

Capacity: 200

Payment: For up and coming bands, The Cypress Lounge will give bands 10% of sales for the duration of their show (no door cover charged). Once a band is more established and has a proven draw, a larger percentage can be negotiated.

Equipment: The Cypress Lounge provides speakers and amps.  The band is responsible for bringing a sound board, mics, stands and any other essentials they need. 

Food: As a courtesy The Cypress Lounge provides a $50 drink/meal credit to the band. 

Booking Guidelines:

When you email an inquiry include the following information:

• Band name
• Website/MySpace
• Genre
• Influences
• Are you looking for a weekday or weekend slot (remember, you have to EARN a weekend slot!).
• Three references (even if it is just your mom’s birthday party, let them know the last 3 places you played)

Tuesday/Wednesday nights the music permit is only until 10 PM so all shows start early and typically run from about 7-10 PM. Less established bands should target these weeknights. If you can draw 40+ people on a Tues/Wed night, the venue will consider moving you up to a weekend spot the next time around.

Thursday is reggae night. If you are not a reggae act, don’t try to book on a Thursday.

Friday/Saturday are primetime and your band should be able to draw at least 150 out to the show. Music permits go later on the weekend, so your show can start later and doesn’t have to end until 1 AM (space closes at 1:30 AM on the weekend).

The space is also open to group parties, events and showcases. They have hosted everything from Mardi Gras costume party to an upcoming Cirque de Sol style aerial event.

Original Good Times Making Noise Blog Post can be viewed HERE.

Love Letter - How Bands Should Write an Inquiry Letter to Book a Show

This is the second in my series for the Good Times Making Noise blog.  Below is some additional information to my original post on how to write a booking inquiry. Dear (Insert venue booker name here),

ABC band is interested in booking ABC venue on June 4.

Best Practice: Included you band name and the date you want to book right away. You can also give a date range if you are working on routing your tour. For example – We are interested in playing ABC venue during the month of June, June 4 is our ideal date, but we would also be in the area between June 7-20.

We are a four-piece band (guitars, bass, drums, vocals) with a female lead singer.

Best Practice: Give your 30 second “elevator pitch”. Pretend you are in an elevator with someone you just met, they ask you about your band and you need to explain it in 30 seconds.

We have been described as power pop and trash-rock revivalists. Our music could be compared to early Kinks or the Strokes.

Best Practice: Categorizing your band and/or sound is a necessary evil. You need to give people some sort of frame of reference to help them assess you as a potential act. Even if your band goes on to win a Grammy, it will still be in a category, so best to pick one now.

You can listen to song samples at www.MySpace.com/ABCband or www.ABCband.com.

Best Practice: All bands should have a MySpace page. Many bookers will go straight to MySpace to check out your song samples. Giving them a direct link will just speed up the process. Also provide links to any other meaningful press or reviews.

Our last show was on Monday, January 12, and we drew 50 people to the ABC Bar. If we play a weekend night, we are confident we will draw more than 100 people.

Best Practice: Give concrete examples. Even if you do not have previous shows to mention, reference the last house party you played or how much money you made the last time you played a street corner – something to let the booker know that you have an audience.

We have a local Santa Cruz mailing list of 100 contacts as well as a MySpace page with 500 fans, a Facebook page with 200 fans and 50 followers on Twitter.

We will have a flier produced within two weeks of our show confirmation. We will print 100 copies and distribute them to local record stores, coffee shops and UC Santa Cruz.

Best Practice: Let the booker know exactly what you will do for them to help promote the show. The more invested you are in the success of the show; the better it will work for everyone. Also include any creative marketing ideas or examples you might have.

We have a relationship with A SECOND band and A THIRD band and feel that we would make a powerful package that will sell out your venue.

Best Practice: If you have relationships with like-minded bands let the venue know. If you can help them build a package for the entire night, you just made their job a lot easier.

We appreciate your consideration and would be happy to bring by our current CD and press kit if you are interested.

Thanks, ABC Band Contact Info Band Website

If you have a SC Music question you would like me to investigate – email me jenn@santacruzrehearsalstudios.com

How to book a show at The Crepe Place

The Crepe Place1134 Soquel Ave. Santa Cruz, CA

All Ages

• Booking contact: Adam Bergeron • How to Introduce Yourself: Fill out the web form on The Crepe Place website. Do NOT call. Do not drop off a hard copy CD/demo. • Timing: The Crepe Place books about 3 months in advance. • Days: Live music booked almost every day of the week. • Genres: Indie rock, country, folk, funk • Capacity: 100 • Payment: Typically The Crepe Place splits show proceeds 70/30 with the band. The venues 30% is used to cover the door and the sound engineer. • Equipment: The Crepe Place provides standard venue equipment including PA, monitors, mics/stands, DI boxes. The band is responsible for bringing their guitar and bass amps. • Food: As a courtesy The Crepe Place feeds the band and provides drink tickets.

Generally every night includes a 2-3 band package and each band does a 40 minute set. A typical night breaks down something like: Doors @ 8:00 PM Opening Act - 9:00 – 9:40 Middle Act – 10:00 – 10:40 Closing Act – 11:00 – 11:40 (or Midnight if larger headline band)

*Helpful Hint* When your set is over, don’t hop off the stage and hit the bar, make sure you break down and clear the stage for the next band that needs to set up.

Booking Guidelines:

1. Pick the Right Venue. Visit The Crepe Place before you send a booking inquiry. Notice the type of music being played; notice the type of crowd that is coming out for the show. Recognize that The Crepe Place is a restaurant that also does live music. It is important for The Crepe Place to keep ALL of their customers happy, those coming out to a show in the front of the house, and those having dinner in the back of the house. If you are an ear bleeding death metal band, be realistic about the fact that this is not the right venue for you. Trying to force a square peg into a round hole doesn’t help anyone and can just be a waste of time for all involved. 
2. Understand the business. The Crepe Place, like all venues, can only operate if they make money. It is very easy for a venue to lose money on a show. Before you send a booking request, you need to be confident that your band can draw at least 50-75 people out to the show on a weeknight night. Playing to an empty room hurts everyone. The venue loses money, you lose respect and it will be nearly impossible to book another show at the venue again.
3. Give the venue what they want. Adam appreciates when band inquiries are concise but specific. Make sure to always include your band name, the date you want to book and a link to hear your music. Instead of the generic “Booking” or “We Want to Play the Crepe Place” subject line, instead try “Band Name – Date You Want to Play – Descriptive Term”. Think your correspondence through.
4. Package Yourself. If you know that a typical night at The Crepe Place includes 2-3 bands, pitch your own package. Think about bands you have played with before or that you share friend groups with. A perfect scenario is 2-3 like-minded, but still unique bands on the same bill. Remember some basic band etiquette, if you on the bill with other bands, don’t bail after your set and take all your friends with you, stay and support the other bands.
5. Promote. Everyone wants a show to succeed and one way to help make that happen is to promote the show locally. When you send a booking inquiry to The Crepe Place let Adam know what you will do to promote the show – be specific.

 If you have done all of this and you don’t hear back from Adam, please don’t take it personally. The reality is that not everyone gets a show. It doesn’t mean your band is not great or that you should stop trying to build your career, but there are only so many days in each month.

The Crepe Place books not only local bands, but touring regional and national acts as well.

This is the first in my series for the Good Times Making Noise blog. If you have a SC Music question you would like me to investigate - email me jenn@santacruzrehearsalstudios.com

Top 10 Things I Learned at the "Making a Record" Workshop

Last week I had the pleasure of attending the "Making a Record" workshop at Gadgetbox Recording Studios (the event was co-sponsored by SCRS). In addition to getting to meet some amazing musicians, I learned a lot about the reality of the recording process. I thought I would share some of my favorite gems with you.

1. Make sure the band is ready and well rehearsed before you book time in the studio.
2. Having guest artists on your records is a great way to not only enhance an album, but give you other avenues to market the record in once it is released. For example, your guest artist(s) might already have a large fan base that will be interested in your CD because of their involvement.
3. Not all of your songs need to be on the album. There are so many opportunities to use songs not on the album for digital download, digital bonus tracks, giveaway, etc.
4. It might be better to do a 3 song record, 3 times a year, rather than a full length record once every 2 years. It can be the same time and $$ in the studio, but the first option gives you a lot more fresh content to market to your fans.
5. Listen to your final mix for at least 2 weeks before mastering.
6. Master your CD outside of the studio it was recorded in (this will allow a last set of fresh ears on the project before it is complete).
7. Most new artists press 1,000 discs in their first run. Popular duplication companies include Disc Makers and Oasis.
8. At least 3 months (but the farther out the better) before your CD is ready to be mastered, you should be thinking about what you are going to do when you get it.
9. Prepare your digital release well in advance of your CD release (it can take 6-8 weeks for digital tracks to be uploaded to iTunes, Amazon, etc.).
10. Having the final CD is only the very first step, doing it justice in the world is another major journey, and another workshop.